\u2015\u2015What was your first impression of the project?
\nIRINO: It\u2019s a fantasy, so at the audition I thought there was a lot of difficult fantasy jargon. After that, the main cast got together for a table-read. I had already received the script, and I was moved by it, and was sure it would be very interesting!
\n\u2015\u2015Were there any emotions you felt typical of Okada in the script?
\nIRINO: I\u2019m not familiar with every project she has done, so I can\u2019t say with much certainty\u2026 but the dialogue is very straightforward, and I was struck with how harsh it could be. It is a very Okada-like world.
\n\u2015\u2015How did you feel about working under Okada\u2019s first directorial work?
\nIRINO: It was an interesting thing to try. It\u2019s a big decision to direct, and it\u2019s a difficult job, but I really got the sense at the recording sessions that she was really doing her best to create something interesting.
\n\u2015\u2015The movie hinges on the relationship between the long-living Maquia and the human Ariel.
\nIRINO: The fantasy aspect of the relationship between a human and a member of a race that lives a long time was depicted very realistically by Okada, so there were so many parts about the role I could relate to. There are some lines of dialogue that Ariel has about his relationship with Maquia, and two lines in particular sum up their entire relationship. I thought, this is unconditional love. I really hope a lot of people come see this movie.<\/p>\n
Miyu Irino (junction management). Known for voice roles in Mobile Suit Gundam 00<\/em> (Saji Crossroad), Anohana<\/em> (Jinta Yadomi), Code Geass: Akito the Exiled<\/em> (Akito Hyuga), The Garden of Words<\/em> (Takao), A Silent Voice<\/em> (Shoya Ishida), and more.<\/p>\n","protected":false},"excerpt":{"rendered":" \u2015\u2015What was your first impression of the project? IRINO: It\u2019s a fantasy, so at the audition I thought there was […]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-56","post","type-post","status-publish","format-standard","hentry","category-1"],"_links":{"self":[{"href":"https:\/\/news.eigafan.com\/sayoasaen\/index.php?rest_route=\/wp\/v2\/posts\/56","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/news.eigafan.com\/sayoasaen\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/news.eigafan.com\/sayoasaen\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/news.eigafan.com\/sayoasaen\/index.php?rest_route=\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/news.eigafan.com\/sayoasaen\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=56"}],"version-history":[{"count":1,"href":"https:\/\/news.eigafan.com\/sayoasaen\/index.php?rest_route=\/wp\/v2\/posts\/56\/revisions"}],"predecessor-version":[{"id":57,"href":"https:\/\/news.eigafan.com\/sayoasaen\/index.php?rest_route=\/wp\/v2\/posts\/56\/revisions\/57"}],"wp:attachment":[{"href":"https:\/\/news.eigafan.com\/sayoasaen\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=56"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/news.eigafan.com\/sayoasaen\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=56"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/news.eigafan.com\/sayoasaen\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=56"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}